Fiction

The Fieldstone Review (2016-2017)

Untitled Document

Fiction

Mildred Mendelson

By Naomi LaKritz

“How are we doing today?”

“I’m fine. However, I can’t answer for you. You’ll have to decide for yourself how you are. I’m no judge of that. What’s your name? I can’t read it. They make these name tags so tiny nowadays.”

“Kayleigh.”

“I cannot imagine a future populated by people named Kayleigh or Breanne or Jayden. Those are names for perpetual children. My name is Mildred Mendelson. That is an adult’s name. Yes, yes, I know what you’re thinking. You’re thinking, ‘I’m glad I’m only twenty-two and not her.’ Don’t tell me different. If I were twenty-two and looking at me, I’d be thinking the same thing. The only reason I’m here, you know, is that the doctors think I have dementia. Just the early stages, mind you. They asked me who the prime minister is, and I said R. B. Bennett so they put me in here. But that’s because I was thinking back to when I was just a little girl and my grandmother, Anna, was a friend of R. B. Bennett. He had one of the first cars in Calgary and he crashed it into a pole right near Isaac Freeze’s store on Stephen Avenue. He said he would never drive again. He was so embarrassed at all the crowds that gathered. That car, I believe it was a McLaughlin. That was before he became prime minister, though.

“But they pounce on every little thing, these doctors. They just want to put me away to make room in the world for younger people. I was taking up too much space, breathing too much of the air they had appropriated for themselves. The doctor asked me to draw a clock, but I didn’t do it well because I’m not an artist, not because there’s anything wrong with my mind. I got poor grades in art all through school. I couldn’t draw a ball properly in those days, but they didn’t put me away for it back then, did they?”

“Do you know where you are, Mrs. Mendelson?”

“I’m in this chair, for heaven’s sake. I’m in Lilac Haven. Why do they call it Lilac Haven when there isn’t a lilac bush on the property and it’s certainly no haven, either? Such trivia. I was talking about something else. You should have seen the fuss my niece, Stefanie, made because I drove my car off the road one time. It was only because I was distracted. I was thinking of my first crush, this boy named Barry with black hair and blue eyes, who sat next to me in Grade Nine science class. And suddenly, while I was driving, I thought about Barry and wondered where he is today.”

“What did he end up doing?”

“If I knew that, I wouldn’t have driven off the road, would I? For all I know, he’s been taking the big dirt nap all these years. Maybe an aneurysm got him at fifty. Oh, and then Stefanie got mad at me because my house was a little untidy. She practically shouted at me, ‘You can’t live alone anymore!’ I said, ‘Stefanie, if I were forty and my house were a little messy, you would be polite enough to keep your mouth shut about it. But because I’m ninety, you think I’ve gone flakey.’ Stefanie is definitely my late sister’s child. Sonia was always very brusque like that. She and I didn’t get along much. But I’ve always hated housework anyway. Ask Jack.”

“Mildred, Jack is no longer with us.”

“Who’s he with?”

“He passed on fifteen years ago.”

“What did he pass on? His chance to continue living with me? Well, I’m not crazy. You know who is, though? Minna Lowenstein. Every Friday, she would bake a challah for her husband, Max, who is dead. And then one day, the rabbi came by for Shabbat services and she told him, ‘Rabbi, I need advice. Every Friday, I bake a challah for my late husband, Max. But now Max has told me he’s met another woman in the world to come. Tell me, Rabbi, should I keep baking challahs for him?’ And the rabbi said, ‘Yes, you should, because it might not work out between them.’ So she baked challahs. Two Fridays later, the rabbi is here again and Minna rushes over to him. ‘Rabbi,’ she says, ‘you were right! It didn’t work out! He’s back with me!’ She was glad she hadn’t deprived that cheating Max of his challahs after all.”

“I’m sure Max is watching over her from heaven. Just as Jack is watching over you.”

“I certainly hope not! There are certain of my bodily functions I wouldn’t want Jack to see me performing, dead or alive. You know who else is crazy? Mary Turner. She said to me yesterday, ‘Mildred, do you think I’m going flakey? I saw these little men all dressed in red like the guards at Buckingham Palace, and they came in under the doorsill and cleaned up my whole room! Mildred, am I flakey?’ I said, ‘Who cares if you’re flakey, Mary? Your room is clean!’”

“Do you know what day it is today, Mildred?”

“No. Nor does it matter. All the days are the same in here.”

“It’s Wednesday. We’re going to be making Hanukkah decorations in the social hall.”

“What makes you think I want to do that kindergarten stuff just because I’m old? I never liked it even when I was in kindergarten. Why would I like it now? I don’t want to be infantilized. I want to read The Economist. Jack always subscribed.”

“Stefanie will bring it when she comes.”

“I think it was in The Economist that I read this story about the latest study on aging. These scientists asked a group of people in their seventies to think of themselves as thirty-five. And when they did, their bodies actually became healthier, their aches and pains went away, and they visited the doctor much less often than another group of seventy-year-olds who were told to think of themselves as being their right age.”

“Do you want to try it?”

“Well, if I could start over in my memory thinking of myself as going through my life all over again, day by day, I could make my body believe it’s at all those ages. Then, I could live to one hundred and eighty because it would take me another ninety years to imagine myself in my life over again.”

“Where would you start?”

“At age one. That’s my first memory. I was at my grandmother’s apartment. She lived in the Hillhurst neighbourhood. That was practically the outskirts of the city then. You could smell the Bow River from the open windows. Some other people were there, too. Don’t ask me who they were. Nobody introduces guests to a child of one. The carpet was a drab yellow-gold, and I was standing up, clutching the edge of a bloated and very ugly purple chair. I was so little that I could see straight underneath the hanging folds of the white cloth on the dining room table. I saw ladies’ legs in high heels on the other side. My father was kneeling down, beckoning to me to walk to him: ‘Walk to me. Come on. You can do it.’ I didn’t think I could do it. The carpet was a dizzy desert of yellow. But I let go of the chair, took two shaky steps, was suddenly overwhelmed with vertigo from that carpet, and fell forward on my hands as babies do. Everyone in the room laughed at me, and I felt my face burn with humiliation and shame.”

“That sounds like a cool memory. Very few people can remember back that far. I know I can’t.”

“It is not a ‘cool’ memory. It’s a devastating one. It shows you that babies have feelings nobody gives them any credit for having. Remember that, next time you laugh at a baby who’s trying to walk.”

“Why are you crying? What’s the matter? Here, would you like a tissue?”

“It suddenly struck me. It was the first devastating moment in a world of hurt piled on hurt, humiliation on humiliation. My introduction to the world of my fellow human beings, aged only one.”

“Is there something happier that you can think of instead?”

“You start out alone and you end alone.”

“Life is like that for everyone, Mildred.”

“Yes, but it’s happening to me. To me, you understand. It has happened to millions of people before me, but I wasn’t experiencing their pain. Do you know what the children in my grade school class called me? The science teacher, Mrs. Gold, was talking to us about mildew, and so my friend, Shirley, started calling me ‘Mildew’ instead of Mildred. I was never Millie, by the way. I always hated that sobriquet. My best friend turned on me, and all the children took it up! I was forever ‘Mildew’ after that. My sister, Sonia, had a much prettier name than I did.”

“That was cruel of those children.”

“Don’t just parrot things. Say something original, if you’re capable of it. Then, in high school, oh, the girls were so mean to one another. How can anybody think that if women were in charge, they’d fix everything that’s wrong with governments and the world? They wouldn’t! They’d scratch each other’s eyes out, they’d backstab, they’d do each other dirt.”

“But you got married and had children. Those were happy times!”

“You are mistaking me for someone else in here. Do all old ladies look alike? Do you mix us up? I had four miscarriages. I never had any children who survived. And now Jack is gone, too. Maybe if I’d married Barry, things would have been different.”

“Everybody wonders those things.”

“No, everybody does not wonder those things. They don’t wonder what would have happened if I’d married Barry instead of Jack. Nobody’s ever heard of me or Jack or Barry. And soon, we’ll all be forgotten. Do you know I used to drive my friends to the Foothills Hospital, and one day Stefanie took me there because I sprained my ankle. The nurse saw that I was old. I was eighty-seven. She said, ‘Do you come here often?’ I said, ‘No, but I bring my friends here a lot.’ And now, look at me, look where I am.”

“Would you like me to bring something to calm you? The doctor left a note on your chart that you could have Ativan if you need it.”

“There is nothing that can calm me. Life isn’t calm. Kayleigh, have you ever looked around and wondered how you got to be where you are? Sometimes, I do. Why am I living in Calgary? Because my parents immigrated here from Russia. Because they believed what Clifford Sifton told them about Canada being a golden land. I know you’ve never heard of Clifford Sifton. Nobody has anymore. Nobody knows history from borscht, as my father used to say. My parents ran a grocery store. Kids used to phone the store. They’d say, ‘Have you got Prince Albert in a can?’ My father would say, ‘Yes, we do’ and the kids would say, ‘Well, let him out!’ But why wasn’t I born the daughter of rich horse breeders in Virginia? Or someone in a shanty in Appalachia? Or Mary Pickford? I’m sure you’ve never heard of her, either. Where are all these dead people now? Where did they go, Clifford Sifton, R. B. Bennett, my parents, Jack? It must be very crowded and noisy wherever they are, there are so many people there.

“Although, I don’t think I’d like to be one of the people in those crowds of thousands of protesters in Third World countries. I see pictures in magazines of people and I think, ‘Who are those people, what are their names, what are their lives about?’ And why wasn’t I born one of them, instead of ending up as Mildred Mendelson? Just what the mercy is going on with all that? Who decides such things?”

“That’s the big mystery of all time.”

“What an inadequate thing to say. You are only twenty-two, so you can’t possibly understand. I was already old when you were born. Do you know who I am, who all of us are in this place? We are people from a few years ago. That’s who we are. Do you know that Clifford Sifton was Minister of the Interior under Laurier? Surely to God you know who Laurier was.”

“Wouldn’t you like to help make Hanukkah decorations? It might take your mind off things.”

“That is a very hard thing to task Hanukkah decorations with – the duty of taking my mind off the great mysteries of life. Is Stefanie coming today?”

“I’m sure she will. She’ll bring you The Economist. Do you want me to wheel you back to your room, so you can rest up for her visit?”

“No. Wheel me to the social hall. I had better help with Hanukkah decorations, just in case Jack is watching me from the world to come. He might think it would do me good. I don’t want to upset him, if he is somehow alive somewhere. I don’t want to hurt him. There’s already too much hurt in the world. I want them to be able to say of me that I didn’t cause more hurt and more pain. Do you think I’ve achieved that?”

“Of course you have. Why, what’s the matter all of a sudden? We are going to have a lot of fun decorating for Hanukkah. Aren’t we?”

“We, we, we. Who are we?”



Lonesome Jubilee

By Douglas W. Milliken

Yeah, sure, I could start off saying something real weighted and purposefully misleading, like winter was the easy hunting, but man, fuck that, Ro and I were just bored. I mean, stacking wood in the cellar could only hold so much appeal, right? As long as our dickhead stepdad wasn’t around, we pretty much could do whatever we pleased. So what we’d do is, my brother and I’d creep out of the cellar and walk guileless as a senator to any afternoon-bright kitchen window and pluck a fat housefly doped-up on January from the glass, deposit the buzzing cretin in a plastic sandwich baggie and fold it into the freezer. Because obviously that’s where one keeps a filthy bug. Just pork chunks and ice cubes and a baggie full of fly. While we were waiting, Ro and I’d sneak up to our weird plaid couch the colour of old meat in the den and extract a single straightened hair from the crown of our post-work-napping mother’s head, and in some ways, that was the best part: giving Mom a sharp zing while she was so sweetly helpless and asleep. But mostly it was how we’d be trying our best not to laugh that made it so damn funny, you know, snorting and choking our giggles behind our palms. She’d wince but never wake up. Like a couple of Pink Panthers we’d tiptoe backwards from the den and by then, our fly’d be frozen. We’d shake it out from its plastic baggie onto the kitchen table, then noose the stolen hair around its tiny neck, careful not to cinch too tightly lest we pop off its puny bug head. I mean, it didn’t need its head. It just looked weird without one. After that, we’d usually have to wait a bit more – just two patient boys with the scent of cellar and wood in our hair – while above and behind us, Mom’s favourite poster of John Cougar Mellencamp made his mouth real hard-looking in silvery black and white and tiredly looked away, embodying too perfectly the silent disappointment of working men everywhere. The Lonesome Jubilee. Not even really that bad of a record, to be honest. But what I think Mom liked best was how the man looked in a white T. Anyway. In a minute, the fly’d thaw out – sometimes with the assistance of some hot, basking breaths – and in another minute, it’d fly, droning in pissed-off orbits at the end of a seven-inch tether of hair. Usually with its head still on. But not always. With Mom snoring loudly and our stepdad who-gives-a-shit-where, Ro and I would watch the fly turn and turn, we each taking turns holding its hair, and neither one of us would say a word. So chalk this up among the good times of ‘87, ‘88, ‘89. Americana pop stars and bored farm boys making do. Sleeping mother you can torture. Fly on a leash.



Ray’s Rocket

By Nathan TeBokkel

“For every sensible line of straightforward statement,

there are leagues of senseless cacophonies. . .”

– Jorge Luis Borges, The Library of Babel

There was a small man named Ray who lived in a two-story house by himself at the corner of a subdivision south of Kamsack. There wasn’t a lot of brick in the area, or a lot of cement, so most of the houses were made of wood, insulated with fiberglass, and covered in siding. Many people had painted their siding a bright colour – for the winter, to cheer each other up. But not Ray. His house was a drab grey. He didn’t really believe in winter, and he didn’t need cheering up in it, that’s for sure. He had a warm parka, a stack of Xbox 360 games and a flat screen TV, a garage, a snowmobile, and a large collection of magnifying glasses.

These weren’t historically interesting magnifying glasses, or scientifically interesting magnifying glasses. The collection wasn’t so much a collection of different things as it was a collection because it was a lot of the same thing. They were mostly duplicates of the same magnifying glasses that Ray had bought at the nearby Dollar Mart for $1.20—more than a dollar, as usual. Ray used these magnifying glasses to look at the bugs in his house: silverfish, carpenter ants, centipedes, greenbottle flies, mosquitoes, wasps, bedbugs, ladybugs, and – once – a praying mantis. He didn’t clean his house very much, but he left at least three magnifying glasses in each room. That way, he couldn’t miss anything. The only problem was that the magnifying glasses, being uninteresting historically and scientifically, had an unduly intense focal point, so if Ray looked at a bug too long, the light of the sun or his lamps passing through would become so concentrated that it would heat up the bug and sometimes kill it. Often kill it – Ray wasn’t too careful about how long he was looking at bugs, or from how far away, or with what light.

Ray also had a penchant for telling tall tales. One of his neighbours, Mrs. Donna Zwick, condescendingly asked him one day how the devil the slats on his shutters had gotten so disjointed, and whatever was he going to do about it, and he informed Mrs. Zwick, solemnly, that the damage was the work of a freak windstorm, a windstorm so powerful that it tore the glass panes out of his windows, and on their way out they jostled the shutters. Mrs. Zwick wondered what windstorm this was, and Ray said that it was an isolated windstorm, the kind that only strikes a small radius, and very rarely. Like a windstorm in your brain, said Ray, playing on her skepticism. Not a surprise you wouldn’t notice it, said Ray, the master of noticing things. Mrs. Zwick didn’t talk to him anymore.

Ray could remember as a boy watching jittery black and white news reports of the moon landing. He never bothered himself with the conspiracy theories or the reality of the situation. What he perceived was real enough to him and so, he presumed, real enough for everyone else. Alternative explanations were not Ray’s strength, unless he was the one doing the alternative explaining. He could also remember as a young man seeing images of shuttle launches in technicolor, and wondering what was up there beyond the nose of the shuttle. A great vastness, nothingness unbound, tiny flecks of light in the darkness, tiny specks of something in all that nothing. Unless it was all nothing, which, thought young Ray to himself, it probably was. Even the stars. Imaginary foci of light from some distant observer’s magnifying glass, trying to burn him up. He watched the Challenger burn up fuel and smoke up the launch pad, and then burn up itself. He thought that was fitting, a journey into nothingness ending with burning up. Sad, avoidably sad, but fitting.

The little flicker of this memory stayed with Ray as he grew up. He thought he had stolen it, perhaps, or that it was his duty to bring it to all mankind. It sometimes ignited in his dreams, sometimes in his daydreams. Naturally, he got it into his head that he would explore the nothingness of space. He was retired now, so he had the spare time. He skimmed some old books the library had discarded for details on how rockets were built, and while he may not have been a rocket scientist, he certainly got the gist of what the books were trying to say.

Luckily, Ray’s town had a large hardware store that specialised in second-hand goods. That meant it was cheap, which suited Ray. He bought a stack of offcut spruce, a bucket of reused roofing nails, a hammer, measuring tape, and saw, and went to work. After all was said and done, Ray spent $214.52 on wood, $43.88 on nails, and $17.95 on tools. For an engine, he paid two of his neighbours each $50 for their old snowmobiles, which with global warming they said they wouldn’t be needing this winter, or something. He modified the snowmobile engines after browsing some instructions he found online and ordering some casing, tubing, valves, and sprockets online for $189.99.

The same online instructions told him how to make fuel, and may have warned him to be extra cautious when making fuel, but Ray knew how to be extra cautious, and so he was. He bought a barrel of diesel from the hardware store for $201.30, and while wearing the ventilator his father, who had spray-painted car doors on a Ford assembly line that was now in Mexico, had given him, he mixed that diesel with three bags of fertilizer and a can of nitroglycerin he had purchased online for $121.40. The fertilizer and the nitroglycerin arrived with a special investigator from the RCMP, who, after annoying Ray with questions about his intentions and demands to see every square inch of his two-story house, finally left shaking her head.

The rocket was almost done. It had taken seventeen months, three days, and nine hours, including breaks and sleeping time and one two-week vacation to Meadow Portage where Ray stood on a pebble beach every night and grinned smugly at the stars over Lake Winnipegosis. With the $346.21 for chrome and special wide-headed chrome tacks, which Ray used to cover the entire rocket to make it the kind of rocket that could punch through the upper atmosphere, it had cost $1,235.25. But that was nothing compared to the beauty of the thing now. A whole greater than the sum of its parts, said Ray to himself. A sight to behold.

Ray phoned up NASA, to let them know what he was doing and that they should look to him in the future for guidance, but a patronizing receptionist passed him off to something called the CSA. So he told the Canadian Space Agency everything he had planned to tell NASA. The guy on the end of the line sounded tired and bored and, after trying to dissuade Ray from launching his rocket, hung up. Ray called again and got a different guy, who told him that he was insane before Ray asked to be passed to somebody who actually built rockets instead of answering phones all day. He turned a magnifying glass over in his hand as he waited, burnt a groggy fly to a crisp in light stolen from his spotted kitchen window. Finally Ray was on the line with the CSA’s chief engineer.

“I hear you’re building a rocket,” said the engineer, whose voice sounded like a befuddled housewife from an infomercial, opening her pantry and knocking medicine bottles all over herself because she didn’t have the right shelf organizer for only $19.99. “You should’ve called us sooner. Why – how can I help you?”

“I don’t need your help,” said Ray, “and I want you to know that you people have no idea how to build rockets.”

The engineer was quiet for a moment, and Ray imagined her nodding as this cold realization washed over her and images of the Challenger seared through her mind. Then the line went dead.

His neighbours, even Mrs. Zwick, had grown restlessly curious, the kind of curious that makes you frustrated and itchy, and they chucked glances into his garage whenever he had it open even a crack. Mrs. Zwick snuck up behind Ray one day and asked if that thing in his garage was, in fact, a rocket. It was hard to tell, she said, because it was lying on its side. She seemed nervous. Ray said yes, it was, and he was going to outer space very soon.

Mrs. Zwick asked him how, and Ray slid his handwritten notes, based on the website that had told him how to make rocket fuel, out of his pocket with an illusionist’s flourish. He flashed it at Mrs. Zwick, insinuating that whether a flash or a prolonged study, no look was going to be enough for her to understand this stuff anyway. He crunched it back into his pocket to her stifled sigh. She said that he was something, really something, but that everyone in the subdivision wished him the best. Ray thanked her with two cold pebble words like the beach on Lake Winnipegosis.

It was time. Ray wheeled the rocket out of his garage on the two disassembled snowmobile treads he had bought from his neighbours. He pulled it upright using a pulley he had made from his clothesline, and fastened it to a temporary stand he had made from the skis of the snowmobiles. Mrs. Zwick looked out her window from across the street and then closed the curtain. Hartford Nolan walked past with his girl Jamie and shook his head. Ray nodded at them ceremoniously, grabbed a match, and then stuffed himself into his rocket like he had stuffed his almost-forgotten parka into his suitcase for his trip to Meadow Portage. The sun shone through his porthole and made his armpits sweat. He lit the match on his seventeen-month-old stubble and dropped it beneath him, into the top of the engine.



Happy 40th Jen

By Nicholas Olson

Kyle had a can of white paint in his left hand, a can of red barn paint in his right, brushes under his left armpit, a step ladder under his right armpit. He had on his monogrammed work coveralls. Kyle walked out past his garage and past his pasture that just had broken-down cars and no horses. They’d sold the horses and couldn’t sell the cars if they’d tried. He walked through the rusted gate, past the slumping fence, around the leaking slough, all the way to the edge of the highway where there stood a professionally painted sign, the only advertisement that Kyle’s small business had ever had. Emblazoned with an angled script, the sign read “Kyle’s Towing, 24HRS, AAA Approved,” plus his phone number, and on the bottom left, “Kyle’ll treat you fair.”

Kyle opened the can of white paint with a nail that he found at the foot of the sign. He stepped up three rungs of his ladder, rested the paint on the top step, dipped his brush in, and started slopping paint over the wavy flaking plywood board. He whitewashed the company name, whitewashed the information. The only thing he left unpainted was his name in the bottom left corner. He put a second coat on the sign and after an hour and a half of morning work, he stepped back to adore his whitewashed masterpiece.

After a coffee break in the house, Kyle took out the bucket of red barn paint and his second paint brush. He took care with his six-inch horsehair brush, like he was painting the Sistine Chapel or like he was being paid a million dollars to stay within the lines that existed only in his head. He painted and moved his ladder, painted and moved his ladder, so that the fifteen-foot-long sign was covered in red letters flanked by two stars. On the bottom right corner, he painted a birthday cake which looked like a birthday cake but just slightly more than it looked like a coal-fired power plant complete with smokestacks and smoke. What a thoughtful gift, Kyle thought to himself.

* * *

Jen sat in the driver’s seat of the Ford Aerostar family van in the J&L Insurance Brokers parking lot, hands gripping the steering wheel at ten and two, teeth clenched. “One more time, just one more time and I’ll punch that Jerry square in the teeth.” She knew she’d never do it. He was her boss. Though she and every other woman in the office, and several men for different reasons, would come to understand the truest meaning of the word “joy” if she slugged him. This time Jerry hadn’t even done anything to Jen. But poor Lucy. Sweetheart.

Jerry opened the door of his lipstick-red Mazda Miata convertible parked next to Jen’s van, pushed the button that mechanically put the soft-top down, waved his big dumb hand at Jen with his chin pushed out like he was waving at his dog on the driveway. Jen thought about getting out of her van and grabbing one of the decorative landscaping bricks with two hands. “This is for the time I asked for a raise and you told me that I was getting paid enough for a woman.” She’d drop it right in the middle of the hood so it rolled down and scraped the chrome M hood ornament.

Jerry would sit there frozen in fear. He’d push the button to close the soft top. Jen looked through the van’s passenger window. Jerry was still waving; he honked, and then drove away.

* * *

Jen took off down the 55 with a slightly loosened grip. She was listening to Beyoncé loud enough for her ears to hurt and passing cars to hear, so her jaw had eventually allowed her teeth to separate, and now her hands were relaxed at nine and three. Queen B. All hail. She’d told Kyle she’d be there by 6:30. They were to go for dinner at Kyle’s favourite restaurant, Grumpy’s Steakhouse and Grill, for her 39th birthday that she didn’t much feel like celebrating.

Kyle sat at home during the day watching game shows from the seventies, waiting for customers to call his tow truck company, but no one ever called because his only advertisement was a crumbling hand-painted sign on the highway and a small decal on the Aerostar. Not even a phonebook ad. The three times a month he did get a call were from the payphone at Grumpy’s when vehicles broke down within ten miles of his sign, because, like he’d somehow planned it, there was no cell reception and no other tow truck signs for ten miles in either direction. Or he’d get calls from the payphone at Grumpy’s when someone drove off in their Chevrolet Tahoe, pissed up after happy hour, and didn’t make it past the first set of lights before flattening a tire on the median.

They first met when Kyle worked at Jerry’s Auto Body, and Jen started at Jerry’s new insurance office. Kyle would call the office often to report claims, and eventually he took each claim in by hand, and eventually he got Jen to go for a drink, and eventually there was a pregnancy scare, and eventually they were together for ten years.

Kyle was fine. Except for the times he drank at parties. Or the times he patted her on the ass in public. Or most times during sex. Or the time he’d found her photos.

“Jen, what the hell are these?” he’d shouted from the computer room.

“What are what?” Jen was at the kitchen sink, scrubbing potatoes with a glove made specifically for scrubbing potatoes that he’d got her for Christmas the year before.

“These – these photos. Your nudes! What the hell? There’s like ten of them!” Jen panicked and then remembered that the photos he was talking about were likely tame ones, and were sent years before they’d ever accidentally hooked up. Kyle came out of the computer room, having printed out one of the colour photos on a full piece of paper for some reason.

“They’re old. Before we were even together.”

“But you sent them. To who?” Kyle put the photo on top of the unwashed potatoes. Jen crumpled it up.

“I don’t remember. They’re old, Kyle, and they’re just photos, for God’s sake.”

“Just photos? That’s my – that’s your body. These are probably all over the internet by now. The guys at Jerry’s have probably seen all these and talk about them when I’m not around.” Later that week, Kyle quit at Jerry’s and, a year later, started Kyle’s Towing. “You know what kinda girl sends out nudes? Girls like Lucy, at the office. The new one who’s always after Jerry.”

“Oh shit, Kyle, she’s not after Jerry, he’s always looking down her shirt and acting like he’s not forty-five years older than her and not her boss and not a creep.” The argument continued for several hours or possibly days, Kyle spending the whole time in the computer room trying to see if her photos were on any websites, simultaneously looking at nudes of other girls he went to high school with.

* * *

“We should have kids now that we’re ready. Before you’re too old to,” he’d told her when he finally started talking to her again the week after. Jen said she wasn’t sure, but the next day he had already traded in her small truck for a 1991 Ford Aerostar without asking. The truck had been in great shape and the Aerostar had what Kyle called “minor transmission problems.”

But really, Kyle was fine. He was relatively clean, said please and thank you, remembered her birthday.

Jen realized that she’d been driving for sixty-six minutes when Beyoncé shouted about passionate drunk sex for the second time on the drive. Jen snapped out of her restorative Beyoncé meditation and looked up to see the pro-life billboards that she passed every day that made her think of Kyle and made her feel nothing. Right after a series of those godforsaken signs, and a few beer ads with chesty women holding pints as though they were delicious organs, was the one and only advertisement for Kyle’s Towing. Today the sign looked different. Jen lifted her sunglasses from her eyes, squinted to see a sloppy, hand-painted sign that read HAPPY 40TH JEN. ♥ KYLE, with the KYLE part leftover from the original design. On the bottom was what might have been a birthday cake or an iron maiden. Jen checked the date and year on her phone. She did the math again in her head. She was turning thirty-nine. He confused her age for his own.

Jen signalled to exit off the highway to their acreage, shoulder-checked, and a red convertible blasted past her van in the other lane. Top down, there was Jerry waving and smiling as if he hadn’t stopped doing so since he left the parking lot. Jerry hit the gas and zoomed on by. Jen saw Lucy at her computer at the office.

“Lucy, sweetheart, look here.” He pointed at the computer screen and leaned over her shoulder, obviously smelling her hair. He put his hairy knuckles on her hand on top of the mouse, moved the pointer without hurrying to some figure on the screen. He inhaled deeply through his nose. “See, thaaaat’s what we were talking about. The Accounts Payable, right?” He put his hand on her shoulder and Jen squirmed while she helped her customer. “Good on ya, Lu. Come to my office any time you have any other questions.”

Jen pushed on the gas pedal as hard as she could. She adjusted the seat so she could push it to the floor. The family van howled and chased the convertible down the 55, passing cars and coughing smoke. The turnoff to Jen and Kyle’s acreage flew by, the turnoff to Grumpy’s Steakhouse and Grill flew by, the next exit off the freeway flew by. Jen kept the gas pinned. She would catch him and bop him a good one in the nose. She wouldn’t even need everyone to be there to see it. She would take his convertible keys and throw them in the bog. She’d push him over and slowly, but deliberately and repeatedly, step on his face. She’d do all this when she caught up with the Mazda Miata, but it had already turned into little more than a tiny red ant biting the horizon.

Jen clenched the steering wheel at ten and two. Her foot kept the gas pedal pinned to the rubber mat until the van began to chug and groan. She let the gas off slowly but held the steering wheel. She gave it gas and the engine didn’t respond. The van dash lights dimmed, the Beyoncé CD ejected itself, the power steering died. Jen guided it to the side of the road and clicked on the blinkers, which happened to be broken also. Jen got out of the van, put her hand to her forehead to see if she could make out the red convertible, but it had turned the corner towards the golden horizon some time ago. She thought maybe Jerry would check his phone messages just at the same time there was a train crossing on the freeway. Jerry would get T-boned, obliterating his red convertible, sparing his life, but forever taking away his sense of smell and gift of speech. Jen checked her phone. There were two bars. She called Kyle’s Towing.

* * *

Kyle’s truck pulled up and he parked it in front of the van. He got out wearing his monogrammed coveralls that had red paint stains, and his embroidered business ball cap.

“What happened? I bet it was the tranny,” Kyle said when he first pulled up. Jen just shrugged and looked at the tires of the van, then the horizon.

“What are you doing out here anyway? You passed the turn off nearly ten miles back. We’re gonna miss our dinner reservation,” Kyle exclaimed. “That’s alright, I’m just glad you’re ok. The van, however…” Kyle bent down, dipped his fingers in the fluid that poured out the bottom, smelled it.

“Yeah, that’s tranny fluid. Remember, I told you to keep this thing below sixty. You remember how I explained the transmission? It’s like bike gears on that old granny bike of yours. Anyway, that’s alright, we’ll get Jerry to look at it.” Kyle gave Jen a half hug, patted her on the ass, told her to get in the truck while he loaded up the van. Kyle hooked up the van, shook his head a few times and smiled to himself. He made sure the chains were secure and got in the truck. He looked at Jen and smiled. “All done.”

They drove back towards the turnoff to the restaurant in silence. Kyle’s hand tapped the steering wheel impatiently. He smiled and couldn’t help himself from asking. “Hey hon, did you see my sign?”

Kyle turned off the freeway towards Grumpy’s Steakhouse and Grill. They ate steaks and drank wine and Kyle got the servers and cooks to sing “Happy Birthday” to Jen with a free piece of brownie and sparklers after their meals.

Later that week, Jen took the van into Jerry’s Auto Body. Jerry’s intact Mazda Miata was parked out front. It looked waxed. As she walked in to pick up the van, she noticed someone had keyed “Sweetheart” in angry angled letters into the driver’s side door with an arrow that pointed up to the face of Jerry, who sat in his car frowning while talking on his cellphone. Jen felt light on her feet and then remembered that she’d likely have to file his insurance claim Monday morning.

The mechanic at Jerry’s told her that it was actually the radiator hose that blew, and coincidentally a fan belt snapped and the CD player just happened to become nauseous. A spark plug was fried and the tires were low. Several fuses were out. The engine light was on and actually needed maintenance. But the transmission was in top working shape.



Anxious Moon

By Kyra MacFarlane

“Four happy days bring in

Another moon. But O, methinks, how slow

This old moon [wanes!] She lingers my desires

Like to a step-dame or a dowager

Long withering out a young man’s revenue.”

  • A Midsummer’s Night Dream, William Shakespeare

“I’m tellin’ you for one last time

It’s not just you

The problem’s mine to hide

I waited as long as I could

If you need it, sure I would

That’s fine”

  • “Start Choppin’,” Dinosaur Jr.

The cracks in the road look like the vase I once smashed in the throes of tinnitus. I still have tinnitus – this aching, echoing, pulsation where I hear nothing and everything all at once (that’s what I get for turning the stereo up to eleven to drown out my nerves one too many times). The vase is long gone, though. I spent two months working on it in my ceramics class. I remember seeing the world through antique sixties-era druggie sunglasses in my oversized apron, a tangible aura of angst radiating from my scrawny limbs. Not a lot has changed. I reach for a cigarette deep in the pockets of my ratty trench coat and then remember that I don’t smoke – I’ve never smoked.

Ovid’s probably out of his mind right now, twitching on my scratchy, plaid couch and staring at static on the TV. I remember when I told him that I liked him – this teenage confession, with butterflies escaping my mouth. I remember when he played me the song he’d written about me: two chords and a voice so loud the lyrics were a blur. His archaic punk shirt folded and left his scrawny body a mystery underneath his front of arrogance and self-assurance. His glasses kept falling down and I wanted to push them up to his myopic eyes, to make him see what I’m only beginning to see now.

I walk past Seventieth Street, which is one of my all-time favourites. There’s a record store, and a pawn shop. I sit there beside buskers and cry for a few hours a week. It’s cheaper than therapy. I imagine concepts for experimental films and freak myself out, staring out into the rain. It’s always raining in this city. Not that I’m complaining; it’s just that it’s hard to see things in the light when the sun forgets you exist.

I squint at my wreck of an apartment building. I didn’t have a lot of options for locales really; my budget was meager. Plus, I (actually Ovid) needed a landlord who wasn’t always on our back about smells. That sounds a lot more suggestive than it is. Ovid likes pot. A lot. He also likes to play his contrived, volume-reliant sleaze when he gets messed up on pot or something stronger. We used to listen to stuff together, until I pushed too hard on trying to get him to appreciate John Lennon.

I sit in my room most nights and listen to three-dollar cassettes and pretend I’m Steve Albini or someone who can cash in on their nihilism. I often sit on my saggy bed staring out at the sliver of the moon and wonder when I became encased in this world of “almosts.” When I started making compromises about whom and what I felt comfortable with. What I felt safe around. My room’s got these really great wooden floors and there’s one floorboard I can lift up and hide stuff under: my old reading glasses, some change, and a manuscript that will never be published.

* * *

The morning tugs at my chest and allows the worries that have stirred around my sternum to rise, stagnant and rotten and personified by heartburn. I stare at my floor, covered with ripped up clothes and sub-par shoes that have all lasted way longer than conceivable.

One of my Doc Martens is covered in white paint. A reminder of when Ovid and I first moved in together. We were smitten with each other’s sarcasm, twin cynics, forever indebted to the writings of those fed up with life when we hadn’t lived much of a life at all. Now the boots strike me as a smirking symbol – my life suddenly fitting the codes and conventions of a sappy novella.

I often spend my mornings like this. Staring at the spackled ceiling and reeling from stale psychedelic music still playing in the living room from Ovid’s pawn shop stereo. Then I realize that I have to go outside, to brave the looks of the people who just instinctively know that I’m pretending; people who classify me as just another failed punker wandering around aimlessly – probably on drugs. A month ago, I was. But now my heart sags like a menopausal breast because a decision has been lingering around my migraine mind, refusing to spill out like word vomit.

* * *

Paul Westerberg is the King of Heartache, so I drop the needle on an old Replacements gem and breathe in. Today’s the day that I tell him. It’s easier thought than said, of course, as I see him slink into the room, his shoulders sloping downwards like my confidence.

“Ovid!” I call out with all the grace and elegance of a drunkard.

“Ye-ah” he answers, breaking up monosyllabic noises into complicated stains.

“I’m going.”

“Going? Where?” His eyes are shrunken, dark pools that reflect his jaded morning ill.

“Seattle or someplace different than this.”

“I thought that you said you were okay with things. You know? How I make a living and all.”

That kills me. How I make a living. He makes the opposite of a living. Funneling all of his money into his drug enterprise, awful rap records, shirts he spends way too much money on. I love his vigour, his youthful jump and enthusiasm. The way he never says no, but that’s also what I can’t stand about him. How he orders his values. How he pretends that he’s okay when he’s definitely not okay and neither am I. How he shrugs an ethereal shrug at a truly fucked up situation that could not only get one arrested but could also drive any plans for the future into the ground, creating the cracks in the asphalt like the ones on Seventieth Street.

* * *

The rest of the night is anti-climactic. I say goodbye and I could swear that Ovid shrugs. He digs around in the pantry for some shitty breakfast cereal and murmurs, “I’ll miss you.”

The really sad thing is that I’ll really miss him. I’ll miss the Ovid that I created – the one I wrote about in my manuscript, the one that was only revealed slowly and never wholly.

He had a smile that flooded me with glee and optimism and, once, purposeful direction that was going to land us somewhere on the giant map of musical success.

I’m never publishing that manuscript because I hope that someday Ovid will find it – with all of its errors and doodles, with all of its regrets and hopes – and read it and cry like I’ve cried with buskers who sing dime-a-dozen Oasis songs to help quell the pain. I’m also never going to publish it because it’s a story that belongs to us – one riddled with the nuisance of drugs and misfortune and other things that should be illegal.

I leave the reading glasses too, for two reasons: firstly, because they look very Lennon and I hope someday he’ll come to his senses about the Beatles’ talent and influence, and secondly because I’m not really looking forward to seeing a world where he is only in the foreground, a memory.

I’m not excited about reading books about love and the flourishing of new relationships. The sting of one that could have been – had Ovid been the permanent version of his werewolf charmer self will linger like the full moon I see through the bus window. Funny, it’s serene out with the swelling craterous presence in the sky, familiar like Ovid’s big brown eyes, but somehow foreign and promising. I’ve got a lot of phases left, that’s for sure.


Fiction